To each his own. I like them for the coating, some people don't like the change in tone it gives. BTW, I got a BOSS CS-3 Compression-Sustainer pedal for Christmas
Mine was a cheap one, half Chinese, used and I picked it up in Chicago for $1400. Then had to buy a pickup and pre-amp for $400. I don't miss lugging that thing to gigs at all. But the sound... Oh man. To me, an upright bass is like an angel singing.
Well, the body and neck we made/assembled in China then shipped to Upton in CT where they finished everything and added allt he hardware and set it up.
I love cello too, here's a clip of my old band (I'm on upright) we had two cello players when I joined but the other one quit about a year later. They are still playing out and trying to "make it". I prefer a 9-5 job and music for fun though so I left a couple years ago. http://www.youtube.com/watch?feature=player_embedded&v=MsIfyMvIF64&noredirect=1
I like City and Colour. You guys ever listen? It's the guitarist and singer from AlexisOnFire. His name is Dallas Greene (Hint the name City and Colour) and he's awesome
The World's Heaviest Metal Band!
Compressorhead, the world's heaviest metal band made of three robots (Fingers / guitarist, Bones / bassist, Stickboy / drummer), plays Motrhead's "Ace of Spades" during a recent practice at the Robocross headquarters in Berlin, Germany.
More strange technology. Now us bassist don't even have to pluck the strings! Still, kinda cool though to be able to play live dubstep on bass. http://www.youtube.com/watch?v=wUpGfj9ZJMA
I know Herman Li from DragonFARCE uses the hot hands...or at least endorses it...
With certain hand motions, it should allow you to change effects without needing your feet to switch stomp pedals.
Something I've always been interested in is a sustainer or it's hand equivalent, the E-bow. They produce a vibration in the string holding out the note and changing possibilities for sound
Vai's Fernendes sustainer has a toggle to switch from sustain to octave making harmonics effortless. His tricks (blowing and playing with his tongue) are just show-tricks. When he blows, he's changing the switch to the octave position causing the harmonic. His tongues touches the E string while the A is being played and he uses the whammy bar for the pitch change
Guitar I always have thought was a cool design. Fender made a B-Bender Telecaster for country. Hardware inside allows you to bend the B string by pushing down on the guitar. The hardware runs to the strap post closes to the neck. When the strap pulls the post closer to you, it bends the B string giving the country-twang or steel guitar sound
Is there a reason some guitars have the tuners on teh bottom of the headstock? Or is just for looks? Seems like it would be a hassle to tune them upside down.