94jedi said:
hey fourth, what do you mean "ebay is your friend"?
I meant that you can always eBay your BOSE equipment, and recoup some $$.
94jedi said:
I've been out of the ICE game for several years....is RAAMAT and Ensolite like Dynamat that has to be rolled on? When I was getting out of the industry, there were a few products coming out that were like "Rhino-liner" in that they were spray-on, used for sounds deadening. I wouldn't be opposed to trying to improve sound quality as long as it doesn't involve ripping out anything. I REALLY don't want to get into upgrading the stereo components.
RAAMAT and Ensolite are quality products from raamaudio. Rick at Raamaudio is a good guy to work with, and takes care of DIYMA forum members. Think of RAAMAT like Dynamat, but FAR cheaper and virutally the same quality, and think of Ensolite like...well...maybe a thin closed cell foam that goes over the RAAMAT. The two together can make something very quiet. These two are not spray on, but rather stick on. RAAMAT is self-adhesive, and Ensolite uses its accompanying spray adhesive.
Antonio DiMarco said:
I don't buy the whole "live performance" aspect of your argument. The notion of "reproducing a live performance" is a myth propegated by audiophiles and those arguments that have built an industry that thrives on "perception."...
As to this quote, and all the rest you said, I will say succinctly that I agree with you for the most part. My personal experience with BOSE has been long and profitable for me, but I can't say I've ever built a BOSE-equipped theater and thought it was something special. Sure, they are "good", but for the price point, and the performance promised, they do not deliver. In other words, "The Emperor Has No Clothes!"
Listen, I'm not going to play the dick-swinging contest with anybody about sound or what is better or not, because sound is subjective and very dependant on variables, but common sense says that you can do better then BOSE, and you can do it cheaper. My main "beef" with BOSE is what they claim to do, vs. what they actually do. See, I sold them for years and years, right alongside other brands as well. For me, home audio was what I made a living off of, for about 7 years of my life (off and on), and what I've made a hobby for about 10 years. Bear in mind, I'm only 27, so I have a lot of learning to do, still. At any rate, I became an expert in designing and installing home theaters for Circuit City (this was around '98, when they weren't the sh*tbox they are today), and got really good while working for Ultimate Electronics. I've probably installed 150 home theaters, and hundreds more whole-house audio systems. Now, as far as pro-audio goes, I'm an absolute novice, but I am pretty picky about what venues I'll visit because I have a sensitive ear for things like distortion or poor equalization.
I agree completely about sound being different in different parts of a club or venue. One of my favorite systems I've built was for a large barn that was converted into a rodeo training center for a customer of mine. He disliked the way pro-audio sounded, and instead opted to go with some very potent home theater speakers in a NE/SE/NW/SW style grouping at the top of the stadium. Then, I ran individual outdoor speaker pairs to each of his horse stables, and to a few rooms. Each room and stable had a different acoustic signature, naturally. However, with careful placement work, and the use of gentle EQ curves, the grouping at the top came out pretty much perfect in 80% or so of the stadium seating areas. Very impressive despite unusal techniques and equipment.
In another situation, I had the opportunity to rebuild the Monster Room in Ultimate, which is a 10 channel system, and 6 subs. So it is a 10.6 system! Natually, a 7.1 signal running into a 10.6 setup was daunting, but again careful tuning and room sweeps resulted in a natural, room filling sound. That room had seating in many different areas, in an attempt to show customers how sound systems work in different ways for a room, and how over-kill a system could be, if that was what they wanted. The 10.6 setup was run by a DENON 5805, which could dumb the system down to 7.2, 5.2, 3.2, and 2.2, so a potential customer could decide how they want their home to sound. Point is, I completely agree with how the sonic character or a room or venue is extremely variable.
BOSE makes money by cutting corners, in design of their cabinets, to their amps, to their speakers, etc. Cutting corners means you are more interested in making a buck then making a legacy. BOSE is still cruising on their namesake and not on product evolvement. This is MY opinion, and it mostly comes from my experience selling, installing, fixing, and removing BOSE systems to make way for better (yet the same cost) gear (like Mirage Omni, or Definitive Technology Mythos)
Ryz said:
I've been into car audio before most of you were on two wheels. For a "stock" system the BOSE sounds great. All the "audiophiles" on here probably wouldn't know true sound if it bit them in the ass.
I'm afraid I'll disagree with this. You've gotta be careful using the word "All" there.
Also, about noice cancelling headphones...You wouldn't want to trust them in situations where you are trying to reduce decibels to the ear. One main reason why is that the SPL levels actually rise when using them (though the apparent sound is reduced) because the waves going against each other still increase pressure on the eardrums. That means if you are already straining with, say, jetwash, you'd really be in trouble with noice cancellers out there. Click on a set of noise cancellation earphones, and you'll feel that pressure on your eardrums. Strange feeling, isn't it?
BTW, Adamkiwi, try doing sound deadening techniques, you'll probably find that muddiness is directly a result of the door's resonance. I started w/ the stock non-Bose system, so I yanked it all out and went w/ Canton and some other goodies, but for you, if you like what you have, try going w/ deadener. LOTS.